Vietnamese Films
Song of the South - Đất Rừng Phương Nam (2023)
Director: Nguyen Quang DungGenre: Drama, War
The film adapted from Vietnamese author Doan Gioi's 1957 novel of the same name revolves around the journey of a 12-year-old boy named An amidst the backdrop of French colonialism in post-1945 southern Vietnam. Tragically, An's mother perishes in an assault, compelling him to navigate the expanse of the Mekong Delta, relying on the compassion of strangers as he embarks on a quest to reunite with his estranged father.
It appears to me that the primary focus of the film's narrative was aimed at the domestic market. The adaptation of a renowned and iconic novel, coupled with its ties to a beloved television series from 1997, which holds a special place in the collective memory of Vietnamese generations, likely serves as a significant draw for local audiences. Additionally, the film's historical backdrop, delving into the poignant wartime experiences and celebrating the resilience and patriotism of the Southern people against foreign incursions, resonates deeply with audiences. This thematic resonance not only captivates domestic viewers but also has the potential to pique the interest of international audiences, particularly those intrigued by Vietnamese history. Moreover, it presents an invaluable opportunity for the entertainment industry to spotlight our cultural heritage and illuminate the transformative journey that has shaped our nation's identity.
However, the movie did receive many criticism over many of its controversial details.
The bulk of the film depicts clandestine activities of various clans strategizing to counter the presence of French colonial forces, prominently featuring Thien Dia Hoi and Nghia Hoa Doan. Within the narrative, these groups are portrayed as patriotic warriors, working covertly and employing encrypted languages and codes for communication during their encounters.
Consequently, numerous viewpoints assert that the crew intentionally emphasizes the significance of Thien Dia Hoi and Nghia Hoa Doan. Moreover, the names of these groups readily evoke associations with the Qing Dynasty in China.
The character speaks Vietnamese with a discernible Chinese accent, reminiscent of actors in Chinese martial arts films. Despite working as a pharmacist, character Tieu possesses remarkable martial arts skills, frequently rescuing individuals and facing off against the French army.
Numerous viewers voiced discontent regarding the crew's lack of creativity and raised concerns about the opaque censorship process, sparking significant controversy. In response to mounting protests, the crew felt compelled to alter the dialogue, removing the names Thien Dia Hoi - Nghia Hoa Doan and replacing them with Chinh Nghia Hoi - Nam Hoa Doan.
Blood Moon Party - Tiệc Trăng Máu (2020)
Director: Nguyen Quang Dung
Genre: Comedy, Drama
Based on the remake of the Italian film Perfect Strangers (2016), the film follows a group of close friends who gather at a housewarming party and their naked truths are revealed one by one. Based on the original film, there had been multiple remakes.
The remake which is considered to be the one that the Viet version stuck to the most in terms of plot - is the Korean version - The Intimate Strangers (2018).
Given the background provided, it seems plausible that the movie has the potential to appeal to international audiences. The humor derived from its storyline is likely relatable and accessible, as it draws from previous iterations, albeit with a few Vietnamese-specific jokes that may necessitate cultural familiarity. However, in comparison to other Vietnamese comedies, Blood Moon Party emerges as a superior choice for an international audience.
However, the movie was not promoted internationally whatsoever, and only received main attention from the domestic viewers.
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